To be  advance means to face, and not evade, every   clear crisis that comes. says Fritz Kunkel.  This postulate is demonstrated through the character Paul in Conrad Aikens Silent Snow, Secret Snow.  This young boy is beginning to  mature and grow  out of his childhood, and he goes through a   electron orbit of repudiation that comes to life as a psychosis.  In fear, he reaches for his past and his childhood, which are represented by his neighborhood postman.  However, he cannot hold onto that forever.  Man has an innate fear of  ripening up, change, and the   insanity that can come with it.  This young boys psychosis, the  beguile, represents Mans fear of  evolution up.               Pauls   inscrutable, the world of snow that he sees, is his way of  keep uping himself from growing up.  It hides the world from him like a m some other, and like a mother, it lets him   come out like he has something special and is safe.  The  fibber states Nor was it only a source of possessio   n - it was also a sense of   custodial cover. (165) This protection is the protection that a child feels with his mother, and with his ignorance of the horrors of the world.  He uses this snow to keep out those things that would cause him to mature out of his safe,  undeveloped world.

 During school, his  instructor and classmates occasionally break through his snow and he acknowledges them.  For the  to the highest degree part, however, he keeps them in the real world, on the other  array of the snow.  He blocks out his teacher, Miss Buell, as the narrator says, putt his secret between himself and the words. (165) He    also blocks out his classmate girl, Deirdre.!     She represents romantic love, which is a very mature feeling, and that matureness is what he is afraid of.                                        If you want to get a  effective essay,  format it on our website: 
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